I was going to include The Trax in my last chapter about Korean music, but then I thought, nah…The Trax deserves their own chapter. As one of the best rock groups to ever come out of South Korea…where do I begin. Let’s start with 2004’s very own “Paradox”.
Haha! So…from what I’ve covered (from 2005-2009 at this point), South Korea isn’t exactly known for its hard rock and heavy metal. In the coming years of 2010&2011, I’d eventually discover bands like Buster, Yellow Monsters, and Tranxfixion, but up to this point, the only other metal group I had heard of was Novasonic, Seo Taiji, and props to Moon Hee Jun for his grungy solo albums. But if you contrast this with Japan’s plethora of metal bands and don’t even get me started when it comes to the states…yeah, safe to say, South Korea doesn’t have a lot of diversity with hard rock. I’m talking HARD ROCK.
Don’t be fooled. If you check out websites like Soompi and Allkpop, they’ll tout some bands as hard rock or punk bands, but that shit’s so soft. Like CN Blue or FT Island. Get outta here with all that. I give FT Island props for their hit “Pray” in 2015. But that’s it. Everything else is soft-rock.
But when it came to The Trax… The only reason why I hadn’t written a chapter about them sooner was because, sadly, up to this point they had only released one album. Which is honestly the biggest tragedy of all. “Paradox” was released in 2004. So, from 2004 till 2009, only one album. This shows that either S. Korea wasn’t into the Hard Rock sound, or SM Entertainment doesn’t know how to manage rock stars. Because one thing was undeniable, The Trax was overflowing with raw talent.
Oh, you didn’t know? Hell yeah, The Trax, the mother-effing Trax was founded and produced by SM Entertainment, the company known for its pretty boys likeDBSK, Shinhwa, and Super Junior. In fact, the first time, I legit heard of the Trax was in DBSK’s music video, “Triangle”. As awesome as the song was (with its amazing use of Mozart), what made the song timeless was the rock provided by none other than the Trax.
In July 2009, while 2NE1 was tearing up the charts in Korea with their hits “Fire” and “I Don’t Care,” their big brother group Big Bang was hustling to climb their way up the charts in Japan.
When I first saw “Gara Gara Go,” I was thrilled to say the least. Big Bang isn’t exactly known for their in-sync choreography. They usually rely on Taeyang or Seungri to hold down the dancing, at least in their music videos. So to see that they actually dance together during the chorus and breakdown, it was a welcomed surprise.
In August of 2009, they released their first full-length Japanese album, self-titled “Big Bang”. On it, they had Gara Gara Go and some other hits I jammed out with through the summer. But perhaps my favorite was “Stay”.
I must have played that song a 100x that summer. Not only was it a good song to write to, but it’s one of those songs you can take to the beach, go for a walk, and simply dream. Back then, such inspiration was needed. I was only 23 and just now embarking on my career as a screenwriter. I could take all the inspiration I could get. Continue Reading
The beginning of 2009 jumped out to a great start. I was still reeling from that awesome showdown between Big Bang and DBSKat the SBS year-end events and the hits kept on coming. I think it was simply the trend where hip hop and pop blended smooth electronica in their songs that made them all so unforgettable.
This chapter’s gonna show you a myriad of artists, so strap yourselves in. We go from TBNY, to Untouchables, an up-and-coming solo act named AJ and rounding it out with Super Junior’s breakout hit that would eventually become their most successful song. All of it went down in the first quarter of 2009.
This was back when Beyonce’s “Single Ladies” and Lady Gaga’s “Poker Face” was on replay non-stop. Even with me, a man who didn’t listen to the radio or kept up with American pop culture, I couldn’t escape it whether I was out at the gym or at this internet start-up company where I was an intern. Man, you couldn’t escape it. That’s not to complain though. Say what you want aboutLady Gaga, “Poker Face”got in your blood. Your head will bob, no matter what you’re doing.
Those were good times. I only had three months of college before graduating, I just started practicing Wing Chun with a legit sifu. And as per usual, what made it all memorable, was the music I discovered.
In the last chapter, I discussed Big Bang’s collaborative performance with a hip hop group called Dynamic Duo. It was the first I had heard of Dynamic Duo and was impressed. Thus, I was more open to solo and underground hip hop acts. The first I discovered, was a hip hop duo called TBNY.
Once upon a time in the entertainment industry, we had these things called rivalries. Tupac vs Biggie. Backstreet Boys vs Nsync. Britney Spears vs Christina Aguilera. Hell, we even had the Jacksons vs the Osmonds for the old heads out there. And in South Korea…there was Big Bang vs DBSK.
There’s nothing wrong with having a rival. Without worthy adversaries, life becomes boring, even if your rival is yourself. For us spectators, there’s nothing more exciting than seeing worthy adversaries go head to head. It keeps us engage, invested. And back in 2008…there was a once in a lifetime clash between the two greatest Korean groups of my generation.
Out of SM Entertainment’s corner comes the current heavyweight champion of the kpop music industry, debuting in 2004 and going on to dominate the charts, even carving out a name for themselves in the Japanese markets. I give you none other than DBSK!
And out of YG Entertainment’s corner comes the challenger, debuting in 2006, overcoming much adversity before dropping the groundbreaking hit, “Lies,” these talented vocalists/rappers have created waves not only in the music industry, but in shaping fashion and cultural trends, here, we have Big Bang!
By early November of 2005…the novelty of Japanese rock music was wearing off. I still enjoyed it. But the waves that once washed over me…it’s like I had gotten used to the temperature and now found the waters lukewarm.
*disclaimer: If you hadn’t read the intro, the following is a personal memoir about my 13 years of exploring Korean and Japanese music.
In South Korea, you can tell the singers and groups pride themselves on their ability to dance. The following was one of the first videos I downloaded in which, the most popular singers of the day got together for a Christmas special to dance it out. You’ll find Se7en at 1:17 in. Followed by Rain…and then Minwoo of Shinhwa, then the guy who I’d come to call the best.
A popular style of dance at the time was an innovative form of pop-and-locking as well as the wave. Se7en was an awesome freestyle dancer. I learned that his main competition was another solo artist named Bi or Rain, who everyone was calling the Korean Usher. But the man who I definitely considered the best by a landslide when it comes to dancing…is U-Know.
It was the middle of December of 2005 when I saw this exact video:
lol, now aside from the “Ah’s” and “Oh’s” you may have noticed a dancer doing some amazing things. The waves are so simple yet complex at the same time. In order to do them well, you have to have good body control. Something, I felt I was capable of. His name is U-Know, or Yunho…And mind you…even though I was watching it in December of 2005, that video was from 2004. Surely there had to be more.
I’d come to find out Yunho was the leader of a Korean Boyband called DBSK and dude…Discovering DBSK was an early Christmas present to myself. When I say K-pop got me through college. I mean it.
That December, I was hoping to go home and spend Christmas with family. But from delivering pizzas, I caught a flat tire and couldn’t afford to come home. For two weeks, I was alone for the first time for the first time in my life. I’ve felt loneliness in the sense of being surrounded but not connecting with anyone. But the legit physical loneliness, I wasn’t quite used to at the time. Growing up, I always had brothers or some company present. Being alone for Christmas my first year away from home was abysmal. The only glimmer of happiness that got me through the holidays was DBSK. Like uncovering a buried treasure map, sparking a sense of adventure to see where it leads.
To understand how culturally significant DBSK was, I have to tell you a little bit about their history. All of which, I learned gradually throughout 2006. To put it in perspective, its sort of like how Jive Records was the label for the Backstreet Boys. Then came Nsync and Britney Spears. They were all under the same label at one point and dominated the American pop scene I’d say from 1998-2002ish.
In South Korea, the most prominent music agency is called SM Entertainment. In the thirteen years I’ve been listening to Kpop, SM may have had some close competition with other labels in which there was the big three, such JYP, YG, and it used to be DSP Media (home to Sechskies and SS501). But SM Entertainment has always remained at the top.
Very similar to how the Backstreet Boys were put together, with a benefactor picking out five talented youths and molding them to be superstars, South Korea’s entertainment agencies work the same way…except ten times tougher, with more rules, discipline, and longer years of training. That’s how they start out, as trainees to the agency and it takes years before they debut. Sometimes, they don’t.
DBSK also known as TVXQ or Dong Bang Shin Ki, consisted of Jaejoong, Micky Yoochun, Xiah Junsu, Max Changmin, and Yunho. All of them were hand-picked and groomed by SM Entertainment to sing, dance, take the lead and dominate. Just like their predecessors, which I’ll get into later.
But whatever, right? Bunch of talk, right? So what if ya boy Yunho can dance. I thought this was about music? How good is DBSK?
The first music video I saw of DBSK as a group was “Rising Sun.” And dude…I’m telling this group was the complete package.